I’ve made several gardenia accords that mimic the first image of gardenia, shown above, and they contain hints and bits of the many facets of gardenia: galbanum, sugar, wintergreen, butter, milk, jasmine, clove, sandalwood, osmanthus, tuberose, grape fruitiness and many more. These have been used in custom perfumes, since the cost and complexity doesn’t lend itself to ready-made perfumes.

Using the alcohol-washed enfleurages of the Vietnamese flower adds the much-needed true gardenia base, but truly, nothing gives the “oomph” and grandeur of the natural gardenia flower in the garden, or the one brought inside to float in a bowl of water. It’s iconic, powerful and not easy to imitate.

I suppose I could look up the GCMS analyses of gardenias that I have, but chemistry is not my thing. I’m an artistic creator who sniffs and adds a bit of this a dab of that, and I’m sure many more chemistry-savvy folks have tried to use the GCMS route but I don’t know of any who succeeded, so I’m happy in my endeavors, knowing that I have satisfied several clients who were very discriminating and educated about naturals and accepting of the exacting doppelgangers I created.

Now there are gardenia concretes and absolutes out of China, where they have, in timely and enterprising response to worldwide demand for a real gardenia raw material, started to produce them.

My understanding is that they’re using a rather simple cultivar of Gardenia jasminoides, the 5-petaled species that is found in many northern climates of the world. The product is quite lovely, and much like the tahetientis, and my attempts, lacking in the true lushness and complexity of the multi-petaled varieties that we humans have selected out over the centuries to satisfy our cravings for uber gardenias, those that knock us out with their power and overwhelming scent. Below is a picture of the type of gardenia the Chinese are using, and pretty as it is, you can see that is is a sweet, pale version of the blockbuster we know and love.

The Chinese gardenia concrete and absolute are much more affordable than the Tahitian – about 1/6th the price. I have diluted my concrete and absolute and am playing with them now, adding some of my own enfleurage materials, using some of the bouquetting notes mentioned above to round out and give more depth and richness to them. We can only hope that this new type of entrepreneurship as shown by the Tahitians and the Chinese continues to grow and provide us with greater and more dynamic gardenia essences.

This is not to say that the Tahitian and Chinese and individual enterprises, such as my own are not without merit: there is no law that says only the boombastic gardenia we know in our gardens and as corsages and floating room fragrances are the only gardenias. The beauty of Tahitian and the simple Chinese gardenias is outstanding on its own, and both deserve a place in perfumery.

I received samples of the Chinese gardenia concrete from both the supplier and also from a retail supplier who is a member of the Natural Perfumers Guild, Essentially Me in the UK. The Tahitian gardenia absolute was a gift from a UK-based natural perfumer. I encourage anyone who is a natural botanical perfumer to keep up with the newest developments and perhaps in a year or two we’ll see very lovely gardenia perfumes offered to the public. Perhaps in a time frame longer than a year or two we’ll see the revival of the truly magnificent Gardenia augusta as a raw perfumery material, and we’ll be able to enjoy that version of the gardenia scent also.